Scholar and Feminist V registration form, 1978

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TI-IE WOMEN'S CENTER

Barnard College New York, NY 10027

THE SCHOLAR AND THE FEMINIST V: CREATING FEMINIST WORKS

A conference sponsored by The Barnard College Women's Center

Saturday, April 15, 1978

Our fifth annual academic conference will explore how feminist works are created. In the morning panel and after- noon workshops artists, scholars and activists will discuss such questions as: What are the sources of feminist concepts, theories and images? How does a feminist creator move from the inception of an idea to a developed work? VVhat kind of support—emotional, intellectual, material, political—makes it possible to change radically the way one thinks and sees? How does a new vision, theory or concept reach an audience?

PROGRAM

Check-in at Barnard Hall — 9 - 10 am

Morning Session — 10 am — 12 noon

Welcoming Remarks Iacquelyn Anderson Mattfeld, President, Barnard College

Creating Feminist Works: A Panel Discussion

Eve Merriam, poet and playwright

Nancy K. Miller, Mellon Fellow in the Humanities, Columbia University

Harmony Hammond, artist and member of the H eresiesrCollective

Moderator, Elizabeth Minnich, Barnard College

Lunch — 12:30 - 2 pm

Afternoon Workshops — 2 ~ 4:30 pm

1. A Feminist Perspective on Art History 8. Using Feminism and Politics to Change the Ann Sutherland Harris, The Metropolitan Health Care Structure Museum ofArt. Diane Lacey, Sydenham Hospital

2- The Evolution of 3 Black Woman Artist 9. Comedy and Performance in Scholarly Inquiry

Camlamesr artist/designer Naomi Weisstein, SUNY, Buffalo

3. Teaching Women's Studies: How Creative? How Feminist? Catharine R. Stimpson, Barnard College, Signs

4. Blank Page/Empty Canvas - A Moment Both

10. Creating a Feminist Novel Alix Kates Shulman, author ofMemoirs of An Ex-Prom Queen and Burning Questions

Political and persona] 11. An Anthropologist Looks at Women's Honor Moore, poet and playwright, editor of Traditional Arts The New women's Theatre Elizabeth Weatherford, School of Visual Arts,

5. The Process and Product of Developing a Theory member of Heresies Collective

Of Gender 12. Feminism vs. Journalism

Suzanne Kessler, SUNY, Purchase Margo kffersonr Newsweek

Wendy McKenna, Sarah Lawrence College

13. Creating the Book/Creating Ourselves Wilma Diskin, Paula Doress, The Boston Women's Health Book Collective, co-authors of Our Bodies, Ourselves

6. Crafts as Feminist Experience: Making Connections Sandra M. Whisler, fiber craftswoman

7. The Literary Salon: An Alternate Space for

Feminist Writing and Theory 14. The Autobiographies of 17th Century Hispanic Delores Brandon, Erika Duncan, Karen Malpede, Nuns From the P€rSP€CtiV€ Of 3 20th Century Carol McCauley, Gloria Orenstein—The Feminist Scholar

Woman's Salon Electa Arenal, CUNY, College of Staten Island

15. A False Dichotomy for the Artist: Individualism vs. Collectivity May Stevens, painter, School of Visual Arts, member of Heresies Collective

Reception — 4:30 - 6 pm

The conference will be limited to 400 participants and registration will be accepted in order of receipt. To reserve your place, please return the attached form with your fee no later than April 5, 1978. Each participant will attend one after- noon workshop. Please list four choices; we will do our best to honor your preference. You will receive your workshop assignment when you check in on the morning of the conference. For further information write or call the Women's Center, Barnard College, 117th and Broadway, New York, NY 10027 (212) 280-2067.

Registration NAME Enclosed is my registration fee of $10 (regular) $5 (student or limited in- ADDRESS come) which includes lunch. ZIP ~ Please make check payable to the Barnard TELEPHONE Women's Center. Detach this form and AFFILIATION FIELD return no later than April 5, 1978 to: Workshop choices list by number Women's Center Barnard College

Day Care for ___i______ children, ages _____.__ New York, NY 10027